Grade 1 Readiness Assessment
Prerequisite: Complete all four phase checkpoints before taking this assessment.
This is the comprehensive final assessment for the Acoustic Guitar Journey Beginner Course. It mirrors the structure of a Trinity Rock & Pop Grade 1 or RockSchool Grade 1 guitar examination: scales, chords, rhythm, theory knowledge, ear skills, and performance. Every item tests skills you have practised across 24 sessions.
How to take this assessment:
- Set aside 45–60 minutes of uninterrupted time.
- Have your guitar tuned, a pick ready, and a metronome set.
- Record the entire session on your phone — audio is fine, video is better.
- Work through each section in order.
- After finishing, listen to the recording and score yourself honestly using the rubrics provided.
Section 1 — Scales (15 points)
Section titled “Section 1 — Scales (15 points)”Test 1A: C Major Scale (8 points)
Section titled “Test 1A: C Major Scale (8 points)”Play the C major scale (one octave, open position) ascending and descending at 60 BPM in eighth notes (two notes per beat). Use alternate picking throughout.
| Criteria | Points | How to Score |
|---|---|---|
| All notes correct (C-D-E-F-G-A-B-C and back) | 3 | 3 = all correct, 2 = one wrong note, 1 = two wrong notes, 0 = three or more |
| Even rhythm (no rushing, no hesitation) | 3 | 3 = perfectly steady, 2 = one hesitation, 1 = uneven throughout, 0 = cannot maintain tempo |
| Clean tone (no buzzing, muted notes, or string noise) | 2 | 2 = all notes clean, 1 = occasional buzz, 0 = frequent buzzing |
Your score: _____ / 8
If below 5: Review Session 14 (C major scale) and Session 23 (exam tempo practice). Practise the scale 5 times daily at 55 BPM before increasing.
Test 1B: Am Pentatonic Scale (7 points)
Section titled “Test 1B: Am Pentatonic Scale (7 points)”Play the Am pentatonic scale (Box 1) ascending and descending at 60 BPM in eighth notes. Use alternate picking.
| Criteria | Points | How to Score |
|---|---|---|
| All notes correct across all six strings | 3 | 3 = all correct, 2 = one wrong note, 1 = two wrong notes, 0 = three or more |
| Even rhythm | 2 | 2 = steady throughout, 1 = one hesitation, 0 = uneven |
| Clean string crossings (no gaps between strings) | 2 | 2 = smooth crossings, 1 = slight gaps, 0 = obvious pauses at string changes |
Your score: _____ / 7
If below 4: Review Session 16 (Am pentatonic) and Session 23. Focus on string crossings — practise two adjacent strings at a time.
Section 1 Total: _____ / 15
Section 2 — Chords (20 points)
Section titled “Section 2 — Chords (20 points)”Test 2A: Chord Accuracy (10 points)
Section titled “Test 2A: Chord Accuracy (10 points)”Play each of the following chords. Strum once and let it ring. Every required string must sound clearly — no buzzing, no muted strings.
| Chord | Strings to Strum | Pass (1 pt) | Fail (0 pts) |
|---|---|---|---|
| Em | All 6 | All strings ring clearly | Any string buzzes or is muted |
| Am | Strings 5–1 | All 5 strings ring clearly | Any string buzzes or is muted |
| E major | All 6 | All strings ring clearly | Any string buzzes or is muted |
| D major | Strings 4–1 | All 4 strings ring clearly | Any string buzzes or is muted |
| A major | Strings 5–1 | All 5 strings ring clearly | Any string buzzes or is muted |
| G major | All 6 | All strings ring clearly | Any string buzzes or is muted |
| C major | Strings 5–1 | All 5 strings ring clearly | Any string buzzes or is muted |
| F (simplified) | Strings 4–1 | All 4 strings ring clearly | Any string buzzes or is muted |
| E5 power chord | Strings 6–5 | Tight, clean sound | Strings rattle or extra strings ring |
| A5 power chord | Strings 5–4 | Tight, clean sound | Strings rattle or extra strings ring |
Your score: _____ / 10
For any chord that fails: return to the session where it was introduced and drill it. See Chord Chart for fingering diagrams.
Test 2B: Chord Transitions (10 points)
Section titled “Test 2B: Chord Transitions (10 points)”Set your metronome to 70 BPM. Play each chord pair below, switching every 2 beats (on beat 1 and beat 3). Play 4 complete cycles of each pair. Score based on whether transitions are clean (no gap in sound, both chords ring).
| Transition | Points | How to Score |
|---|---|---|
| Em to Am | 2 | 2 = all 4 transitions clean, 1 = 1–2 rough transitions, 0 = most transitions fail |
| G to D | 2 | Same scoring |
| C to G | 2 | Same scoring |
| A to D to E (3-chord cycle) | 2 | 2 = smooth cycle, 1 = one transition rough, 0 = multiple failures |
| G to Em to C to D (4-chord cycle) | 2 | 2 = smooth cycle, 1 = one transition rough, 0 = multiple failures |
Your score: _____ / 10
If below 6: Chord transitions need daily practice. Review Chord Transitions. Practise your weakest transition 20 times at 50 BPM before increasing.
Section 2 Total: _____ / 20
Section 3 — Strumming and Rhythm (15 points)
Section titled “Section 3 — Strumming and Rhythm (15 points)”Test 3A: Strumming Patterns (9 points)
Section titled “Test 3A: Strumming Patterns (9 points)”Play each pattern on a chord of your choice for 8 measures at the indicated tempo.
| Pattern | Tempo | Points | How to Score |
|---|---|---|---|
| Basic downstrokes (4/4) | 80 BPM | 2 | 2 = rock steady for 8 bars, 1 = slight drift, 0 = cannot maintain |
| D/U (down-up, eighth notes) | 75 BPM | 2 | Same scoring |
| D D U U D U | 75 BPM | 3 | 3 = automatic and groovy, 2 = correct but stiff, 1 = pattern breaks, 0 = cannot play |
| Waltz (D d d in 3/4 time) | 70 BPM | 2 | 2 = clear strong-weak-weak feel, 1 = all beats same volume, 0 = cannot maintain 3/4 |
Your score: _____ / 9
Test 3B: Advanced Rhythm Skills (6 points)
Section titled “Test 3B: Advanced Rhythm Skills (6 points)”| Skill | Points | How to Score |
|---|---|---|
| Syncopated strumming with muted strums at 70 BPM (4 measures) | 3 | 3 = crisp mutes, clear accents, groove, 2 = pattern correct but mutes weak, 1 = pattern inconsistent, 0 = cannot play |
| Palm-muted power chord eighth notes at 70 BPM (4 measures) | 3 | 3 = tight, even, controlled, 2 = mostly even, 1 = inconsistent muting, 0 = cannot maintain |
Your score: _____ / 6
Section 3 Total: _____ / 15
Section 4 — Theory and Knowledge (15 points)
Section titled “Section 4 — Theory and Knowledge (15 points)”Answer each question. Write your answer, then check against the answers at the bottom of this section.
- Name the six guitar strings from lowest (thickest) to highest (thinnest).
- What fret and string produces the note F on the first string?
- In 4/4 time, how many beats are in one measure?
- In 3/4 time, how many beats are in one measure?
- What three chords make up a 12-bar blues in the key of A?
- Name the notes of the C major scale in order.
- What does “p-i-m-a” stand for in fingerpicking?
- What is the difference between a hammer-on and a pull-off?
- In TAB, what does “0” mean?
- What is the difference in sound between a major chord and a minor chord?
- How many frets apart is the root from the fifth in a power chord shape?
- What does “PM” mean in guitar TAB or notation?
- Name two songs from this course that use power chords.
- What is alternate picking?
- In the Am pentatonic scale (Box 1), name any three of the five notes.
Score: 1 point per correct answer. _____ / 15
Answers:
- E A D G B E (low to high)
- Fret 1, string 1
- Four beats
- Three beats
- A, D, and E
- C, D, E, F, G, A, B (then C again)
- Pulgar (thumb), indice (index), medio (middle), anular (ring) — the Spanish names for the right-hand fingers
- A hammer-on strikes a higher fret without picking; a pull-off lifts off to a lower fret, plucking the string as it releases
- Play the string open (no fret pressed)
- Major sounds bright/happy; minor sounds dark/sad
- Two frets (e.g., fret 1 and fret 3 for F5)
- Palm muting
- Any two of: “Iron Man,” “Paranoid,” “Smells Like Teen Spirit” (also acceptable: “N.I.B.” riff if using power chord position)
- Alternating between downstrokes and upstrokes when picking single notes
- Any three of: A, C, D, E, G
If below 10: Review handouts/music-theory/ for theory concepts. Review specific sessions for practical knowledge.
Section 4 Total: _____ / 15
Section 5 — Ear Skills (10 points)
Section titled “Section 5 — Ear Skills (10 points)”These tests require you to play something, close your eyes, and listen.
Test 5A: Major vs Minor Recognition (4 points)
Section titled “Test 5A: Major vs Minor Recognition (4 points)”Without looking at your fretting hand, play each chord below and say “major” or “minor” before checking. Have someone else strum if possible, or strum with your eyes closed.
| Chord | Your Answer | Correct Answer | Point |
|---|---|---|---|
| Am | _____ | Minor | _____ |
| G major | _____ | Major | _____ |
| Em | _____ | Minor | _____ |
| E major | _____ | Major | _____ |
Your score: _____ / 4
Test 5B: Rhythm Recognition (3 points)
Section titled “Test 5B: Rhythm Recognition (3 points)”Tap these rhythms on a table, then try to reproduce them from memory after a 5-second pause.
| Rhythm | Description | Points |
|---|---|---|
| Four even beats: TAP TAP TAP TAP | Quarter notes in 4/4 | 1 = reproduced, 0 = not |
| TAP-tap TAP-tap TAP-tap (strong-weak pattern) | 3/4 waltz | 1 = reproduced, 0 = not |
| TAP rest TAP TAP rest TAP | Syncopated | 1 = reproduced, 0 = not |
Your score: _____ / 3
Test 5C: Echo Test (3 points)
Section titled “Test 5C: Echo Test (3 points)”Play the following short phrase once. Wait 5 seconds. Then play it back from memory without looking at the TAB.
Phrase 1:
e|---0---3---0---|
1 2 3
Phrase 2:
B|---0---1---3---|
1 2 3
Phrase 3:
e|---3---1---0---|
B| 1---|
1 2 3 4
| Phrase | Points | How to Score |
|---|---|---|
| Phrase 1 | 1 | 1 = correct, 0 = wrong |
| Phrase 2 | 1 | 1 = correct, 0 = wrong |
| Phrase 3 | 1 | 1 = correct, 0 = wrong |
Your score: _____ / 3
If below 6: Ear skills develop with practice. Play major/minor chord pairs daily. Practise echo phrases with a friend or by recording and playing back. Review Session 23, ear skills section.
Section 5 Total: _____ / 10
Section 6 — Performance (25 points)
Section titled “Section 6 — Performance (25 points)”This is the most important section. Perform three pieces from your course repertoire. Choose pieces that demonstrate different skills.
Recommended selections (choose three):
| Piece | Skills Demonstrated |
|---|---|
| ”Smells Like Teen Spirit” (Session 20) | Moveable power chords, dynamics, muted strums |
| ”Ae Meri Zohra Jabeen” melody + chords (Session 21) | Expressive melody, slides, chord accompaniment |
| ”Fear of the Dark” intro (Session 15) | Fingerpicking, arpeggios, chord changes |
| ”About a Girl” (Session 10) | Open chord strumming, steady rhythm |
| ”Knockin’ on Heaven’s Door” (Session 10) | Three-chord progression, gentle strumming |
| ”Wasted Years” arrangement (Session 19) | Melody + chord combination |
| ”Iron Man” riff + “Paranoid” riff (Sessions 9, 13) | Power chords, palm muting |
| 12-bar blues with improvised solo (Sessions 8, 22) | Blues structure, pentatonic improvisation |
Performance rules:
- Play from memory (no TAB in front of you)
- Do not stop if you make a mistake — keep playing
- Pause between pieces: tune check, breath, count-in
Scoring Each Piece (up to 8 points each, plus 1 bonus)
Section titled “Scoring Each Piece (up to 8 points each, plus 1 bonus)”| Criteria | Points | How to Score |
|---|---|---|
| Notes/chords accuracy | 2 | 2 = mostly correct, 1 = several errors, 0 = many errors |
| Rhythm and tempo | 2 | 2 = steady throughout, 1 = some rushing/dragging, 0 = cannot maintain tempo |
| Tone quality | 2 | 2 = clean and clear, 1 = occasional buzz/mute, 0 = frequent issues |
| Musical expression (dynamics, phrasing) | 2 | 2 = clear musical intent, 1 = flat but correct, 0 = mechanical |
Piece 1: __________________ Score: _____ / 8 Piece 2: __________________ Score: _____ / 8 Piece 3: __________________ Score: _____ / 8
Bonus point: Did your three pieces demonstrate at least three different techniques (e.g., strumming, fingerpicking, power chords, melody, improvisation)? Yes = 1, No = 0. _____ / 1
Section 6 Total: _____ / 25
Final Score
Section titled “Final Score”| Section | Your Score | Maximum |
|---|---|---|
| 1. Scales | _____ | 15 |
| 2. Chords | _____ | 20 |
| 3. Strumming and Rhythm | _____ | 15 |
| 4. Theory and Knowledge | _____ | 15 |
| 5. Ear Skills | _____ | 10 |
| 6. Performance | _____ | 25 |
| Total | _____ | 100 |
Grade Boundaries
Section titled “Grade Boundaries”| Score | Grade | What It Means |
|---|---|---|
| 85–100 | Distinction | Outstanding. You exceed Grade 1 requirements. Consider registering for the exam. |
| 70–84 | Merit | Strong performance. You are ready for a Grade 1 exam with some targeted practice on weaker areas. |
| 55–69 | Pass | You meet the basic requirements. Spend 2–3 weeks strengthening your “Needs Work” areas before attempting a grade exam. |
| 40–54 | Working Toward | You have solid foundations but some areas need more development. Review the sections where you scored below 50% and revisit those sessions. |
| Below 40 | Keep Practising | You need more time with the course material. Go back to the phase checkpoints, identify your weakest phase, and work through those sessions again. There is no rush. |
After the Assessment
Section titled “After the Assessment”If you scored Pass or above:
- Congratulations. You have the skills for Grade 1 guitar.
- See Whats Next for your options: grade exam registration, intermediate course, continued repertoire building.
If you scored Working Toward or below:
- This is not a failure. It is information. You now know exactly what to practise.
- Go back to the phase checkpoint for the sections where you scored lowest. The specific remediation suggestions will guide you.
- Take the assessment again in 2–4 weeks. You will see improvement.
Regardless of your score:
- You started this course unable to play a single note. You now play chords, scales, melodies, riffs, fingerpicked arpeggios, and improvised solos across rock, metal, folk, and Hindi film music.
- A number on a page does not define your musicianship. Your ability to sit down with a guitar and make music — that defines it.
- Keep playing.