CT-X9000IN Advanced Features Guide
Everything Your Keyboard Can Do That We Saved for When You Were Ready
Section titled “Everything Your Keyboard Can Do That We Saved for When You Were Ready”1. Welcome Back to Your CT-X9000IN
Section titled “1. Welcome Back to Your CT-X9000IN”You already know the basics. From the beginner course, you can select tones, use the metronome, record with the built-in MIDI recorder, play with rhythm accompaniment, and adjust touch response. You know where Grand Piano lives (Tone 000), how to find Indian tones by pressing CATEGORY, and how to start a rhythm with START/STOP.
That was about 10% of what your CT-X9000IN can do.
This guide unlocks the rest. Every feature here was deliberately held back during your beginner course — not because they are difficult, but because you were not ready to use them musically. Now you are. You understand chords, you can play with both hands, you know what a key signature is, and you have a sense of musical style. That context makes these features genuinely useful rather than just interesting buttons.
Here is what you are about to learn:
- Layer Mode — play two tones at once on every key
- Split Mode — assign different tones to each hand
- Registration Memory — save complete keyboard setups and recall them instantly
- MIDI Recording to USB — save your performances to a flash drive
- MIDI-to-Computer Connection — connect to GarageBand, MuseScore, or any DAW
- Chordana Play — what the companion app can and cannot do for intermediate learners
- Indian Tones and Rhythms Mastery — systematic use of all 43 tones and 39 rhythms
- Audio In — play along with music from your phone or tablet
Work through each section in order. Each one builds on the previous, and by the end you will have four saved Registration Memory setups ready for your intermediate course sessions.
2. Layer Mode (Two Tones at Once)
Section titled “2. Layer Mode (Two Tones at Once)”Layering means two tones sound simultaneously every time you press a key. Your keyboard calls these Upper 1 (your main tone) and Upper 2 (the layered tone). The result is richer, more textured sound — a Grand Piano blended with Strings, for example, sounds like a film score.
How to Activate Layer Mode
Section titled “How to Activate Layer Mode”- Select your main tone as usual (press TONE, choose your sound — this becomes Upper 1).
- Press the UPPER LAYER button. The display shows [U2], indicating you are now selecting the Upper 2 (layered) tone.
- Use CATEGORY and the Dial to choose your second tone.
- Play any key — you hear both tones together.
- To turn off layering, press UPPER LAYER again.
Best Layer Combinations for Intermediate Playing
Section titled “Best Layer Combinations for Intermediate Playing”| Combination | Upper 1 | Upper 2 | Musical Use | Course Connection |
|---|---|---|---|---|
| Classical Warmth | Grand Piano (000) | Strings (049) | Rich, orchestral sound for classical pieces | Sessions 10, 12, 22 (Classical Repertoire) |
| Pop/Contemporary | Electric Piano (026) | Pad tone | Modern, atmospheric feel for pop songs | Session 16 (Pop & Contemporary) |
| Ballad Texture | Grand Piano (000) | Choir tone | Warm, vocal quality for slow, expressive pieces | Session 11 (Pedal Mastery with “Imagine”) |
| Jazz Colour | Electric Piano (026) | Vibraphone tone | Smooth, mellow jazz character | Session 17 (Jazz & Blues) |
Volume Balance Between Layers
Section titled “Volume Balance Between Layers”If one tone overpowers the other, adjust the part volume:
- Press FUNCTION.
- Navigate to Part Volume settings.
- Adjust Upper 1 and Upper 2 volumes independently.
A good starting point: Upper 1 (main) at full volume, Upper 2 (layer) at 60-70%. The layer should enhance, not compete.
Set It Up Now
Section titled “Set It Up Now”- Press TONE and select Grand Piano (000).
- Press UPPER LAYER.
- Use CATEGORY to find Strings, then select Strings (049) with the Dial.
- Play the opening of any piece you know well from the beginner course.
- Listen to the difference — the strings add a sustained, cinematic quality behind every note.
- Press UPPER LAYER again to turn it off. Play the same passage. Hear how much thinner it sounds without the layer?
3. Split Mode (Different Tones Per Hand)
Section titled “3. Split Mode (Different Tones Per Hand)”Split mode divides your keyboard into two independent zones, each with its own tone. The left side (Lower) can play a bass or pad tone while the right side (Upper) plays piano or a lead sound. This is how professional keyboardists simulate a full band from a single keyboard.
How to Activate Split Mode
Section titled “How to Activate Split Mode”- Press the SPLIT button. The display shows [L1], indicating you can now select the Lower 1 (left-hand) tone.
- Use CATEGORY and the Dial to choose your left-hand tone.
- Play keys in the lower half of the keyboard — you hear the Lower tone.
- Play keys in the upper half — you hear your original Upper tone.
- To turn off split, press SPLIT again.
Setting the Split Point
Section titled “Setting the Split Point”The split point determines where the keyboard divides. By default, it splits around the middle of the keyboard.
- While holding the SPLIT button, press the key where you want the upper zone to begin.
- That key and everything to its right becomes the Upper zone. Everything below it becomes the Lower zone.
- Release the SPLIT button.
Recommended split point: Middle C (C4). This gives your left hand approximately two octaves for bass/chords and your right hand approximately three octaves for melody.
Best Split Configurations
Section titled “Best Split Configurations”| Configuration | Lower Tone (LH) | Upper Tone (RH) | Musical Use | Course Connection |
|---|---|---|---|---|
| Jazz/Pop Comping | Fingered Bass or Acoustic Bass | Grand Piano (000) | Left hand walks bass lines, right hand plays chords and melody | Session 17 (Jazz & Blues) |
| Orchestral | Strings (049) | Grand Piano (000) | Strings provide harmonic bed, piano plays melody | Sessions 22-23 (Repertoire Workshops) |
| Indian Raga | Tanpura (213) (drone) | Sitar (207) or Harmonium (258) | Tanpura drone sustains while right hand plays raga phrases | Sessions 14, 15, 20 (Indian Music) |
| Pop Performance | Synth Pad | Electric Piano (026) | Modern atmospheric backing with a clear lead tone | Session 16 (Pop & Contemporary) |
Combining Layer and Split
Section titled “Combining Layer and Split”You can use layer and split simultaneously. This gives you up to four keyboard parts:
- Upper 1 + Upper 2 (right hand, two layered tones)
- Lower 1 + Lower 2 (left hand, two layered tones)
To set this up: activate Split first, then activate Upper Layer. The layer applies to the upper zone. For layering in the lower zone, access the part settings through the FUNCTION menu.
Set It Up Now
Section titled “Set It Up Now”- Press SPLIT.
- While holding SPLIT, press the C key at Middle C to set the split point.
- The display shows [L1]. Use CATEGORY to find a bass tone (browse until you find Fingered Bass or Acoustic Bass).
- Now play a low note with your left hand — you hear the bass tone.
- Play a chord or melody with your right hand above Middle C — you hear Grand Piano.
- Try playing a simple jazz voicing: left hand plays a bass note (C), right hand plays a Cmaj7 chord (C-E-G-B). You just turned one keyboard into a two-instrument setup.
4. Registration Memory (Save Your Setups)
Section titled “4. Registration Memory (Save Your Setups)”Registration Memory is the feature that transforms your CT-X9000IN from an instrument you configure every time into a performance-ready workstation. It saves your complete keyboard configuration — tone, rhythm, tempo, layer settings, split settings, touch response, effects — and lets you recall everything with a single button press.
Your CT-X9000IN has 128 Registration Memory slots: 16 banks with 8 pads each. That is more than enough for your entire intermediate course and beyond.
What Gets Saved
Section titled “What Gets Saved”Everything about your current setup: selected tone(s), rhythm and tempo, layer on/off and layer tone, split on/off, split point and split tone, touch response setting, effect settings, and more. One button press restores it all.
How to Save a Registration
Section titled “How to Save a Registration”- Set up your keyboard exactly how you want it — tone, rhythm, tempo, layer, split, everything.
- Press the STORE button (or REGISTRATION STORE — check your panel labelling).
- Select the bank number (use the BANK button or number keys to choose a bank, 1-16).
- Press one of the 8 pad buttons (1-8) to save to that slot within the bank.
- The display confirms the save. Your setup is stored.
How to Recall a Registration
Section titled “How to Recall a Registration”- Press the BANK button and select the bank number where your setup is saved.
- Press the corresponding pad button (1-8).
- Your keyboard instantly switches to the saved configuration — tone, rhythm, tempo, layer, split, everything loads in one press.
The Freeze Function
Section titled “The Freeze Function”Sometimes you want to recall a tone setup without changing the current rhythm or tempo. The FREEZE button lets you lock specific settings so they are not overwritten when you recall a registration.
- Press the FREEZE button.
- Navigate through the freeze options to select which parameters should remain locked (rhythm, tempo, transpose, etc.).
- Now when you recall a registration, the frozen parameters stay unchanged.
This is extremely useful during a performance or practice session where you want to keep the same rhythm running while switching tone setups.
Your Four Intermediate Course Registrations
Section titled “Your Four Intermediate Course Registrations”Create these four setups now. You will use them throughout the intermediate course:
| Bank 1, Pad | Name | Setup Details |
|---|---|---|
| Pad 1 | Classical Practice | Grand Piano (000), no layer, no split, Touch Response: Normal, no rhythm, tempo 80 BPM |
| Pad 2 | Pop/Layer | Grand Piano (000) + Strings layer (049), no split, Touch Response: Normal, 8-Beat rhythm, tempo 100 BPM |
| Pad 3 | Jazz/Split | Split at Middle C: Fingered Bass (LH) + Grand Piano (RH), no layer, Touch Response: Normal, Swing rhythm, tempo 120 BPM |
| Pad 4 | Indian Raga | Split at Middle C: Tanpura (LH) + Sitar (RH), no layer, Touch Response: Normal, Teentaal rhythm, tempo 80 BPM |
Set It Up Now
Section titled “Set It Up Now”Create Pad 1 — Classical Practice:
- Press TONE, select Grand Piano (000).
- Make sure Layer is off (UPPER LAYER button — no [U2] indicator on display).
- Make sure Split is off (SPLIT button — no split indicator on display).
- Set Touch Response to Normal (FUNCTION > Touch Response > Normal).
- Set tempo to 80 BPM (TEMPO buttons).
- Press STORE.
- Select Bank 1 (press BANK, then 1).
- Press Pad 1.
- Done. Your Classical Practice setup is saved.
Now set up and save the remaining three registrations (Pop/Layer, Jazz/Split, Indian Raga) following the table above. You will be glad you did this when Session 14 asks you to switch to an Indian setup instantly.
5. MIDI Recording to USB
Section titled “5. MIDI Recording to USB”You already know the built-in 16-track MIDI recorder from the beginner course. It stores up to 10 songs with approximately 40,000 notes each — plenty for practice. But those recordings live inside the keyboard. If the keyboard resets or if you want to share your work, they are gone.
The USB TO DEVICE port on the back of your keyboard changes that. Insert a USB flash drive and you can save MIDI recordings as files — permanent, portable, and usable on a computer.
What You Need
Section titled “What You Need”- A USB flash drive (any standard USB-A flash drive; 1-32 GB recommended)
- The flash drive should be formatted as FAT32 (most flash drives come pre-formatted this way)
How to Record to USB
Section titled “How to Record to USB”- Insert your USB flash drive into the USB TO DEVICE port on the back of the keyboard (the wider USB-A port — not the smaller USB TO HOST port).
- Wait a moment for the keyboard to recognise the drive (the display may show a brief loading indicator).
- Press RECORD/STOP to enter recording mode.
- Select USB as the recording destination (navigate with the display options).
- Press RECORD/STOP or START/STOP to begin recording.
- Play your piece.
- Press RECORD/STOP to stop and save.
Your performance is saved as a MIDI file (.MID) on the flash drive.
Playing Back from USB
Section titled “Playing Back from USB”- With the USB flash drive inserted, access the song/media menu.
- Navigate to the USB drive contents.
- Select the MIDI file you want to play back.
- Press START/STOP or PLAY to hear your recording.
The keyboard can also play back standard MIDI files (SMF format 0/1) and Casio MIDI files (CMF format) from USB, as well as WAV audio files (44.1 kHz, 16-bit). This means you can load backing tracks, reference recordings, or sheet music MIDI files onto a flash drive and play them directly through your keyboard’s speakers.
Use Cases for Intermediate Students
Section titled “Use Cases for Intermediate Students”- Record your compositions: Session 24 (Modes & Modern Harmony) asks you to write an 8-bar piece. Record it to USB and keep it forever.
- Track your progress: Record a piece each month. Compare your September recording to your December recording.
- Share your work: Transfer MIDI files to a computer for notation, editing, or sharing.
- Load backing tracks: Download WAV backing tracks for improvisation practice (Session 18) and play them through your keyboard.
Practical Tips
Section titled “Practical Tips”- Always safely eject: avoid pulling the USB drive while the keyboard is reading or writing.
- Label your files: the keyboard may assign generic names (TAKE01.MID, etc.). Rename them on a computer after each session.
- Keep a dedicated flash drive for your keyboard — avoid mixing with other files.
6. MIDI-to-Computer Connection
Section titled “6. MIDI-to-Computer Connection”Your CT-X9000IN can connect directly to a computer and function as a MIDI controller. This opens up a world of possibilities: see your playing appear as notation in real-time, use premium software piano sounds, and record multi-track compositions.
What You Need
Section titled “What You Need”- A USB cable with a Type B connector on the keyboard end (the square-shaped plug) and a Type A or Type C connector on the computer end (matching your computer’s USB port). This is the same type of cable used for printers.
- The USB TO HOST port on the back of your keyboard (the smaller, square USB port — not the USB TO DEVICE port).
How to Connect
Section titled “How to Connect”- Plug the USB cable into the USB TO HOST port on your keyboard.
- Plug the other end into your computer.
- Turn on your keyboard (if not already on).
- Your computer should recognise the CT-X9000IN as a MIDI device automatically — no special drivers are needed. The CT-X9000IN uses class-compliant USB-MIDI, which means it works out of the box on Mac, Windows, and Linux.
Using with GarageBand (Mac)
Section titled “Using with GarageBand (Mac)”GarageBand is free on every Mac and is the easiest way to start recording with software instruments.
- Connect your keyboard via USB.
- Open GarageBand and create a new project.
- Select Software Instrument as the track type.
- Choose a piano sound from GarageBand’s instrument library (their Steinway Grand sounds excellent).
- Play your CT-X9000IN keys — you should hear GarageBand’s piano sound through your computer speakers.
- Press the Record button in GarageBand and play. Your performance is captured as MIDI data that you can edit, quantize, and export.
Why this matters: GarageBand has studio-quality piano samples that respond to your CT-X9000IN’s touch response. Your keyboard becomes a high-quality controller sending your musical intentions to software that produces concert-hall sound.
Using with MuseScore (Free, All Platforms)
Section titled “Using with MuseScore (Free, All Platforms)”MuseScore is free notation software that turns your playing into sheet music.
- Download MuseScore from musescore.org (free, available for Mac, Windows, Linux).
- Connect your keyboard via USB.
- Open MuseScore and go to Edit > Preferences > I/O (or MIDI Input on newer versions).
- Select your CT-X9000IN as the MIDI input device.
- Enable MIDI Input mode (the MIDI input button in the toolbar).
- Create a new score.
- Enter note input mode and play notes on your keyboard — they appear on the score in real-time.
Use case for this course: After you compose your 8-bar piece in Session 24, you can play it into MuseScore and have professional-looking sheet music of your own composition.
Using with a DAW (Digital Audio Workstation)
Section titled “Using with a DAW (Digital Audio Workstation)”If you use other software — FL Studio, Ableton Live, Logic Pro, Reaper — the process is similar:
- Connect via USB.
- Open your DAW’s preferences/settings.
- Select the CT-X9000IN as your MIDI input device.
- Create a software instrument track.
- Play and record.
Important Notes
Section titled “Important Notes”- When connected to a computer via USB TO HOST, your keyboard sends MIDI data only — not audio. The sounds you hear come from your computer’s software, not from your keyboard’s speakers. To hear your keyboard’s own sounds, play without the software instrument track active, or use headphones connected to the keyboard while monitoring computer audio separately.
- Touch response works over MIDI — soft playing sends low velocity values, hard playing sends high velocity values. This translates to dynamics in any software instrument.
7. Chordana Play App Deep Dive
Section titled “7. Chordana Play App Deep Dive”In the beginner guide, you learned that Casio offers a companion app called Chordana Play for iOS and Android. Now let us look honestly at what it offers intermediate learners — and where it falls short.
What Chordana Play Offers
Section titled “What Chordana Play Offers”| Feature | What It Does | Useful for Intermediate? |
|---|---|---|
| 50 Built-in Songs | Pre-loaded songs with score and piano roll display | Moderate — beginner-oriented library |
| MIDI File Import | Import any MIDI file; app generates score and detects chords | Yes — import intermediate pieces and learn them visually |
| Three-Step Lessons | Listen, Watch, Play — similar to keyboard’s Step-Up Lessons | Moderate — you may find the lesson structure limiting at this level |
| Tempo Control | Slow down any song for practice | Yes — essential for learning complex passages |
| AB Repeat | Loop a specific section for focused practice | Yes — excellent for drilling difficult bars |
| Hand Separation | Select which tracks to assign to left and right hands | Yes — practice hands separately with visual guidance |
| Melody Cancel | Reduce the main melody in audio playback | Useful for play-along practice |
Connection Methods
Section titled “Connection Methods”Chordana Play connects via USB cable (using the USB TO HOST port on your keyboard). Some Casio keyboards also support wireless connection via the WU-BT10 Wireless MIDI & Audio Adaptor (sold separately), though this is primarily designed for the CT-S and LK-S series.
Important note about compatibility: Chordana Play’s official supported keyboard list focuses on the CT-S series (CT-S1, CT-S200, CT-S300, CT-S400), LK-S series, and select CTK models. The CT-X9000IN may connect via USB MIDI for basic functionality, but full app integration (such as the keyboard’s display syncing with the app) may not be available. Casio is also transitioning from Chordana Play to their newer CASIO MUSIC SPACE app, which currently supports CT-S and LK-S models.
When Chordana Play Helps vs. When It Does Not
Section titled “When Chordana Play Helps vs. When It Does Not”Helps:
- Importing MIDI files of pieces you are learning and slowing them down
- Visual piano roll display if you are a visual learner
- Looping difficult sections (AB repeat)
- Practising hand parts separately with a visual guide
Does not help (use your course materials instead):
- Structured intermediate curriculum — the app’s lessons are beginner-oriented
- Genre-specific technique (jazz voicings, raga ornamentation, improvisation)
- Music theory understanding
- Performance expression and interpretation
Try This Now
Section titled “Try This Now”- Download Chordana Play from the App Store or Google Play Store (free).
- Connect your keyboard to your phone/tablet via USB cable (you may need a USB-B to USB-C or Lightning adapter).
- Browse the built-in song library.
- Try importing a MIDI file: search for a MIDI file of a piece you are learning (many are freely available online), download it, and import it into the app.
- Use the tempo control and AB repeat to practise a tricky passage.
8. Indian Tones and Rhythms Mastery
Section titled “8. Indian Tones and Rhythms Mastery”The beginner guide introduced you to a few Indian tones — Sitar, Tanpura, Harmonium, Tabla. That was a taste. Your CT-X9000IN has 43 Indian tones and 39 Indian rhythms, and this section teaches you to use them systematically for the intermediate course’s Indian music sessions.
Indian Tone Categories
Section titled “Indian Tone Categories”Your 43 Indian tones fall into five musical categories. Understanding these categories helps you choose the right tone for each musical situation.
Melodic Instruments (for playing raga phrases and Bollywood melodies)
Section titled “Melodic Instruments (for playing raga phrases and Bollywood melodies)”| Tone | Character | Best For |
|---|---|---|
| Sitar (207) | Bright, plucked string with characteristic buzz | Raga melodies, Bollywood lead lines |
| Sarod | Deep, rich plucked string — weightier than Sitar | Slower raga phrases, meditative melodies |
| Santoor (212) | Shimmering, hammered strings from Kashmir | Fast melodic passages, ornamental playing |
| Bansuri | Soft, breathy bamboo flute | Slow, lyrical melodies — especially Raga Yaman and Raga Des |
| Shehnai | Bold, double-reed — festive and projecting | Celebratory melodies, wedding music |
| Sarangi | Bowed string — hauntingly expressive | Slow, emotional passages with meend (glides) |
| Veena | Ancient plucked string — regal quality | Classical raga performance |
| Esraj | Bowed string — lighter than Sarangi | Semi-classical and devotional music |
Drone Instruments (for sustained harmonic foundation)
Section titled “Drone Instruments (for sustained harmonic foundation)”| Tone | Character | Best For |
|---|---|---|
| Tanpura (213) | Continuous drone — the backbone of all Indian classical music | Hold Sa (C) and Pa (G) as a drone bed while practising raga phrases with another tone or in Split mode |
| Shruti Box | Harmonium-like sustained drone | Alternative drone texture — warmer than Tanpura |
Percussion Tones (each key produces a different stroke)
Section titled “Percussion Tones (each key produces a different stroke)”| Tone | Character | Best For |
|---|---|---|
| Tabla | Hand drums — different keys trigger Na, Dha, Tin, Tun, etc. | Exploring taal patterns by playing different strokes on the keyboard. Browse CATEGORY > Indian Percussion to find Tabla tones. |
| Tabla Tarang | Tuned tabla — pitched percussion | Melodic tabla passages |
| Dholak | Double-headed folk drum | Folk and Bollywood rhythm patterns |
| Mridangam | South Indian classical drum | Carnatic rhythm exploration |
Keyboard Instruments
Section titled “Keyboard Instruments”| Tone | Character | Best For |
|---|---|---|
| Harmonium (258) | Warm, breathy reed organ | Bhajans, qawwali, devotional music, ghazal accompaniment |
| Bulbul Tarang | Plucked string keyboard instrument | Folk melodies |
Additional Tones
Section titled “Additional Tones”Your CT-X9000IN includes further Indian tone variations — Swarmandal (harp-like), Jal Tarang (water-tuned percussion), Pungi (snake charmer), and GM (General MIDI) versions of Sitar and Shehnai for compatibility with MIDI files. Browse the Indian CATEGORY with the Dial to discover all 43 tones.
Indian Rhythm Patterns
Section titled “Indian Rhythm Patterns”Your 39 Indian rhythms are organised by taal (rhythmic cycle). Understanding the taal structure helps you use rhythms musically, not just as background beats.
Essential Taals for the Intermediate Course
Section titled “Essential Taals for the Intermediate Course”| Taal | Beats | Structure | Character | Course Connection |
|---|---|---|---|---|
| Teentaal (181) | 16 beats (4+4+4+4) | The most common taal in Hindustani music | Steady, structured, versatile | Sessions 14, 20 — raga practice |
| Keherwa (185) | 8 beats (4+4) | Light, swinging, flexible | Bhajans, light classical, most Bollywood songs | Session 15 — Bollywood |
| Dadra (187) | 6 beats (3+3) | Gentle, lilting | Thumri, romantic songs, light classical | Romantic Bollywood ballads |
| Rupak | 7 beats (3+2+2) | Asymmetric, graceful | Classical compositions with an unusual pulse | Session 20 — advanced raga |
| Jhaptaal | 10 beats (2+3+2+3) | Complex, dignified | Medium-tempo classical compositions | Advanced raga practice |
Folk and Celebratory Rhythms
Section titled “Folk and Celebratory Rhythms”| Rhythm | Character | Use |
|---|---|---|
| Bhangra | High-energy, danceable | Punjabi-influenced Bollywood, celebratory pieces |
| Garba | Circular, festive | Navratri music, Gujarati folk |
| Dandiya | Fast, rhythmic stick-dance pattern | Navratri celebrations |
| Bhajan | Devotional, gentle | Temple music, spiritual songs |
Special Combination Rhythms
Section titled “Special Combination Rhythms”Your CT-X9000IN includes combination patterns that pair a rhythm with a Tanpura drone: Keherwa Tanpura & Tabla, Dadra Tanpura & Tabla, Teentaal Tanpura & Tabla, and others. These create an authentic Indian classical practice environment — drone and rhythm together — without needing Split mode.
Creating a Raga Practice Setup
Section titled “Creating a Raga Practice Setup”This is where Layer, Split, and Indian tones come together. Here is a complete raga practice setup:
- Press SPLIT. While holding SPLIT, press Middle C to set the split point.
- With [L1] selected, use CATEGORY to find the Indian tones. Select Tanpura.
- Press SPLIT again to return to the Upper tone. Select Sitar (or Bansuri for a softer sound).
- Press RHYTHM, navigate to the Indian category, and select Teentaal.
- Set tempo to 70-80 BPM using TEMPO buttons.
- Press START/STOP to start the rhythm.
- Hold down C and G with your left hand (Sa and Pa drone).
- With your right hand, practise Raga Yaman phrases: N R G M# P D N S’ (B C D F# G A B C’).
Save this as Registration Bank 1, Pad 4 (the Indian Raga registration from Section 4).
Set It Up Now
Section titled “Set It Up Now”- Navigate to the Indian tone category and slowly scroll through all available tones with the Dial. Play a few notes with each one. Notice the categories: melodic strings (Sitar, Sarod, Veena), wind instruments (Bansuri, Shehnai), drones (Tanpura, Shruti Box), percussion (Tabla, Dholak), keyboard (Harmonium).
- Switch to RHYTHM and browse the Indian category. Start Teentaal at 80 BPM. Count: “Dha Dhin Dhin Dha | Dha Dhin Dhin Dha | Na Tin Tin Na | Dha Dhin Dhin Dha.” That is one cycle of 16 beats.
- Now try a combination rhythm — find Teentaal Tanpura & Tabla. Notice how the Tanpura drone is built into the rhythm pattern itself.
9. Audio In (Play Along with External Audio)
Section titled “9. Audio In (Play Along with External Audio)”Your CT-X9000IN has a 3.5mm stereo Audio In jack on the back panel. Connect your phone or tablet, play any music through it, and the audio comes through your keyboard’s speakers (15W + 15W bass reflex). You play along with the music, and everything blends through the same speakers.
How to Connect
Section titled “How to Connect”- Get a 3.5mm stereo audio cable (also called an aux cable or headphone cable). One end goes into the Audio In jack on the back of your keyboard; the other end goes into the headphone jack on your phone or tablet. If your phone lacks a headphone jack, use a USB-C to 3.5mm adapter.
- Play music on your phone (Spotify, YouTube, Apple Music, any audio source).
- The music plays through your keyboard’s speakers.
- Play along on the keyboard — your playing and the external audio blend together.
Volume Balance
Section titled “Volume Balance”- Control the external audio volume from your phone or tablet.
- Control your keyboard volume with the keyboard’s VOLUME knob.
- Adjust both until you can hear yourself clearly over the backing music.
A good starting balance: phone at about 50-60% volume, keyboard at your normal practice volume. You want the backing track audible but not overpowering your playing.
Centre Cancel (Vocal Cut)
Section titled “Centre Cancel (Vocal Cut)”Your CT-X9000IN has a centre cancel feature for Audio In, which reduces the main vocal or lead instrument in the external audio. This is useful when you want to play along with a song but hear less of the original melody — so your keyboard playing takes the lead.
Access centre cancel through the FUNCTION menu under the Audio In settings.
Use Cases for Intermediate Students
Section titled “Use Cases for Intermediate Students”| Activity | What to Play Through Audio In | Course Connection |
|---|---|---|
| Bollywood play-along | Spotify/YouTube — “Lag Ja Gale,” “Kabira,” “Kun Faya Kun” | Sessions 14, 15, 20 |
| Jazz backing tracks | YouTube — “12 Bar Blues Backing Track in C” | Sessions 17, 18 (Jazz & Improvisation) |
| Pop practice | Spotify — “Clocks” by Coldplay, “Perfect” by Ed Sheeran | Session 16 (Pop & Contemporary) |
| Classical reference | YouTube — professional recordings of “Fur Elise,” “Clair de Lune” | Sessions 10, 22 (Classical Repertoire) |
| Improvisation practice | YouTube — “Am Pentatonic Backing Track” or “ii-V-I Jazz Backing Track” | Session 18 (Improvisation Basics) |
Set It Up Now
Section titled “Set It Up Now”- Connect your phone to the Audio In jack with a 3.5mm cable.
- Open YouTube or Spotify on your phone.
- Search for “12 Bar Blues Backing Track in C” and play it.
- Set your keyboard to Grand Piano (000).
- Play the C blues scale with your right hand: C - Eb - F - Gb - G - Bb - C.
- Improvise over the backing track. You are playing along with a band — from your keyboard’s speakers.
10. Recommended Setups by Genre
Section titled “10. Recommended Setups by Genre”Here is your quick-reference table. For each genre in the intermediate course, the recommended CT-X9000IN configuration is listed below. Pads 1-4 are the four core setups you created in Section 4. Pads 5-8 are optional — create them as you encounter those genres during the course.
| Genre | Tone(s) | Layer? | Split? | Rhythm | Tempo Range | Registration Slot |
|---|---|---|---|---|---|---|
| Classical | Grand Piano (000) | No | No | None (metronome only) | 60-120 BPM | Bank 1, Pad 1 |
| Pop/Contemporary | Grand Piano + Strings layer | Yes (Piano + Strings) | No | 8-Beat or 16-Beat | 90-120 BPM | Bank 1, Pad 2 |
| Jazz/Blues | Grand Piano or Electric Piano | No | Yes (Bass LH, Piano RH) | Swing or Jazz rhythm | 100-140 BPM | Bank 1, Pad 3 |
| Indian Classical | Sitar or Bansuri (RH) + Tanpura (LH) | No | Yes | Teentaal or Keherwa | 70-100 BPM | Bank 1, Pad 4 |
| Bollywood (optional) | Harmonium or Grand Piano | Optional (Piano + Strings) | Optional | Keherwa, Dadra, or Bhangra | 80-130 BPM | Bank 1, Pad 5 |
| Improvisation (optional) | Grand Piano (000) | No | No | Varies (use Audio In for backing tracks) | Varies | Bank 1, Pad 6 |
| Raga Practice (optional) | Sitar (RH) + Tanpura (LH) | No | Yes | Teentaal Tanpura & Tabla | 70-80 BPM | Bank 1, Pad 7 |
| Performance/Recital (optional) | Grand Piano (000) | Optional | No | None | As required | Bank 1, Pad 8 |
Session Quick-Reference
Section titled “Session Quick-Reference”| Session | Genre Focus | Recommended Registration |
|---|---|---|
| Sessions 1-5 | Foundation (scales, chords) | Pad 1 — Classical |
| Sessions 6-10 | Harmonic Depth (7ths, arpeggios, classical pieces) | Pad 1 — Classical |
| Session 11 | Pedal Mastery (“Imagine”) | Pad 2 — Pop/Layer |
| Session 12 | Dynamics & Articulation (Chopin Waltz) | Pad 1 — Classical |
| Sessions 14-15 | Indian Music (Raga Yaman, Bollywood) | Pad 4 — Indian Classical or Pad 5 — Bollywood |
| Session 16 | Pop & Contemporary | Pad 2 — Pop/Layer |
| Session 17 | Jazz & Blues | Pad 3 — Jazz/Split |
| Session 18 | Improvisation | Pad 6 — Improvisation (+ Audio In) |
| Session 20 | Advanced Indian Music | Pad 7 — Raga Practice |
| Sessions 22-23 | Repertoire Workshops | Varies by genre — switch between registrations |
| Session 24 | Modes & Composition | Pad 1 — Classical (for composing) |
| Session 25 | Graduation Recital | Pad 8 — Performance (switch registrations between pieces) |
This guide covers every advanced feature you need for the intermediate course. Save your Registration Memory setups now, bookmark this page, and refer back to the genre table whenever a session calls for a specific CT-X9000IN configuration. Your keyboard is no longer just a practice instrument — it is your creative workstation.