Complete Beginner Chord Chart
All chords taught in this course. Each diagram shows six strings (low E on the left, high E on the right), fret positions, finger numbers, and open (O) or not played (X) string indicators.
Finger numbering: 1 = index, 2 = middle, 3 = ring, 4 = little finger, T = thumb
How to Read These Diagrams
Section titled “How to Read These Diagrams”- Each column is a string: string 6 (low E, the thickest) on the left, string 1 (high e, the thinnest) on the right
- Numbers in the grid show which finger to place at that position
Oabove a string = play the string open (unfretted)Xabove a string = do not play this string- Fretted strings have no marker above them (the finger number in the grid shows the fretting)
- Fret numbers appear on the left side
- Introduced names the session that teaches the chord; it stays in use from that session onwards
Minor Chords
Section titled “Minor Chords”Em — E Minor
Section titled “Em — E Minor”- Introduced: Session 2
- Finger 2 (middle): string 5 (A), fret 2
- Finger 3 (ring): string 4 (D), fret 2
- Strings 6, 3, 2 and 1 are played open
- Strum all six strings
Am — A Minor
Section titled “Am — A Minor”- Introduced: Session 3
- Finger 1 (index): string 2 (B), fret 1
- Finger 2 (middle): string 4 (D), fret 2
- Finger 3 (ring): string 3 (G), fret 2
- Strings 5 and 1 are played open
- Do not play string 6
- Strum strings 5 to 1 (five strings)
Dm — D Minor
Section titled “Dm — D Minor”- Introduced: Session 21
- Finger 1 (index): string 1 (high e), fret 1
- Finger 2 (middle): string 3 (G), fret 2
- Finger 3 (ring): string 2 (B), fret 3
- String 4 (D) is played open
- Do not play strings 6 and 5
- Strum strings 4 to 1
Major Chords
Section titled “Major Chords”E — E Major
Section titled “E — E Major”- Introduced: Session 5
- Finger 1 (index): string 3 (G), fret 1
- Finger 2 (middle): string 5 (A), fret 2
- Finger 3 (ring): string 4 (D), fret 2
- Strings 6, 2 and 1 are played open
- Strum all six strings
D — D Major
Section titled “D — D Major”- Introduced: Session 7
- Finger 1 (index): string 3 (G), fret 2
- Finger 2 (middle): string 1 (high e), fret 2
- Finger 3 (ring): string 2 (B), fret 3
- String 4 (D) is played open
- Do not play strings 6 and 5
- Strum strings 4 to 1 (four strings)
A — A Major
Section titled “A — A Major”- Introduced: Session 8
- Finger 1 (index): string 4 (D), fret 2
- Finger 2 (middle): string 3 (G), fret 2
- Finger 3 (ring): string 2 (B), fret 2
- Strings 5 and 1 are played open
- Do not play string 6
- Strum strings 5 to 1 (five strings)
G — G Major
Section titled “G — G Major”- Introduced: Session 10
- Finger 2 (middle): string 5 (A), fret 2
- Finger 3 (ring): string 6 (low E), fret 3
- Finger 4 (little finger): string 1 (high e), fret 3
- Strings 4, 3 and 2 are played open
- Strum all six strings
C — C Major
Section titled “C — C Major”- Introduced: Session 11
- Finger 1 (index): string 2 (B), fret 1
- Finger 2 (middle): string 4 (D), fret 2
- Finger 3 (ring): string 5 (A), fret 3
- Strings 3 and 1 are played open
- Do not play string 6
- Strum strings 5 to 1 (five strings)
Barre Chords
Section titled “Barre Chords”Barre work: no more than 5 minutes a day in total. Pain rule: tender fingertips are normal. Pain in the wrist, forearm, thumb joint or knuckles, numbness or tingling, any sharp pain, or pain that lasts into the next day means stop. The full rule is in START HERE.
F — F Major (Simplified)
Section titled “F — F Major (Simplified)”- Introduced: Session 17
- Finger 1 (index) barres strings 2 (B) and 1 (high e) at fret 1
- Finger 2 (middle): string 3 (G), fret 2
- Finger 3 (ring): string 4 (D), fret 3
- Do not play strings 6 and 5
- Strum strings 4 to 1 (four strings)
F — F Major (Full Barre)
Section titled “F — F Major (Full Barre)”- Beyond this course: shown in Session 17 as a look-ahead. This shape is not practised or tested in this course. If you start on it afterwards, begin at fret 5, where it is easier, use the press-pluck-release method, and keep to 3 minutes a day.
- Finger 1 (index) barres all six strings at fret 1
- Finger 2 (middle): string 3 (G), fret 2
- Finger 3 (ring): string 5 (A), fret 3
- Finger 4 (little finger): string 4 (D), fret 3
- Strum all six strings
Power Chords
Section titled “Power Chords”E5 — E Power Chord
Section titled “E5 — E Power Chord”- Introduced: Session 9
- String 6 (low E) is played open (the root note)
- Finger 1 (index): string 5 (A), fret 2
- Do not play strings 4, 3, 2 and 1
- Strum strings 6 and 5 only
- Often played with palm muting
- Three-string version (fuller sound): add finger 3 (ring) on string 4 (D), fret 2, and strum strings 6, 5 and 4
- Higher version, one octave up (Session 13): finger 1 (index) on string 4 (D), fret 2 and finger 3 (ring) on string 3 (G), fret 4; strum strings 4 and 3 only
A5 — A Power Chord
Section titled “A5 — A Power Chord”- Introduced: Session 9
- Do not play string 6
- String 5 (A) is played open (the root note)
- Finger 1 (index): string 4 (D), fret 2
- Do not play strings 3, 2 and 1
- Strum strings 5 and 4 only
- Often played with palm muting
- Three-string version (fuller sound): add finger 3 (ring) on string 3 (G), fret 2, and strum strings 5, 4 and 3
D5 — D Power Chord
Section titled “D5 — D Power Chord”- Introduced: Session 13
- Do not play strings 6 and 5
- String 4 (D) is played open (the root note)
- Finger 1 (index): string 3 (G), fret 2
- Do not play strings 2 and 1
- Strum strings 4 and 3 only
- Often played with palm muting
- This is the A5 shape moved one string over
F5 — Moveable Power Chord (shown as F5)
Section titled “F5 — Moveable Power Chord (shown as F5)”- Introduced: Session 20
- Finger 1 (index): string 6 (low E), fret 1 (the root note)
- Finger 3 (ring): string 5 (A), fret 3
- Finger 4 (little finger): string 4 (D), fret 3
- Do not play strings 3, 2 and 1
- Strum strings 6, 5 and 4 only
Nothing in this shape is an open string, so the same shape gives other power chords when you move it. The shape never changes: finger 1 on the root, finger 3 two frets higher on the next string, finger 4 on the same fret as finger 3, one string further. The chord takes its name from the note under finger 1. Session 20 uses the shape in four places:
| Chord | Root note | Finger 1 | Finger 3 | Finger 4 | Strings to strum |
|---|---|---|---|---|---|
| F5 | F | string 6, fret 1 | string 5, fret 3 | string 4, fret 3 | 6, 5 and 4 |
| Ab5 | Ab (G#) | string 6, fret 4 | string 5, fret 6 | string 4, fret 6 | 6, 5 and 4 |
| Bb5 | Bb (A#) | string 5, fret 1 | string 4, fret 3 | string 3, fret 3 | 5, 4 and 3 |
| Db5 | Db (C#) | string 5, fret 4 | string 4, fret 6 | string 3, fret 6 | 5, 4 and 3 |
For Bb5 and Db5 the whole shape sits one string over, with finger 1 on string 5, and string 6 is left out. A tuner shows Ab, Bb and Db under the sharp names in brackets. Other frets give other chords: with the root at fret 3 of string 6, the same shape is G5.
Quick Lookup Table
Section titled “Quick Lookup Table”| Chord | Type | Strings | Frets Used | Introduced |
|---|---|---|---|---|
| Em | Minor | All 6 | A2, D2 | Session 2 |
| Am | Minor | A-e (5) | B1, D2, G2 | Session 3 |
| E | Major | All 6 | G1, A2, D2 | Session 5 |
| D | Major | D-e (4) | G2, e2, B3 | Session 7 |
| A | Major | A-e (5) | D2, G2, B2 | Session 8 |
| E5 | Power | E, A (2) | A2 | Session 9 |
| A5 | Power | A, D (2) | D2 | Session 9 |
| G | Major | All 6 | A2, E3, e3 | Session 10 |
| C | Major | A-e (5) | B1, D2, A3 | Session 11 |
| D5 | Power | D, G (2) | G2 | Session 13 |
| F (simplified) | Barre | D-e (4) | B1, e1, G2, D3 | Session 17 |
| F (full) | Barre | All 6 | All-1, G2, A3, D3 | Beyond this course (shown in Session 17) |
| F5 | Power (moveable) | E, A, D (3) | E1, A3, D3 | Session 20 |
| Dm | Minor | D-e (4) | e1, G2, B3 | Session 21 |
In this table strings are shown by letter to save space: E = string 6 (low E), A = string 5, D = string 4, G = string 3, B = string 2, e = string 1 (high e). “A2” means string 5 at fret 2. “All-1” means finger 1 barring all six strings at fret 1.
Common Chord Progressions in This Course
Section titled “Common Chord Progressions in This Course”| Progression | Key | Sessions |
|---|---|---|
| Em - Am | E minor | Sessions 3, 6 |
| Em - Am - E | No single key (chord-change exercise) | Sessions 5, 6 |
| Am - D | A minor, Dorian mode (a minor sound with one brighter note) | Session 7 |
| A - D - E | A major (12-bar) | Session 8 |
| Em - G | E minor | Session 10 |
| G - D - Am | G major | Session 10 |
| G - Em - C - D | G major | Session 11 |