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Daily Warm-Up Routine

This handout provides a complete 5-minute warm-up routine to perform before every practice session. It includes hand and finger stretches, a fretting-hand activation exercise, a picking-hand activation exercise, and a quick tune-up check. This routine protects you from injury and prepares your hands for productive practice.

Playing guitar demands fine motor control from muscles and tendons in your hands, wrists, and forearms. Cold, stiff hands play worse and are more vulnerable to strain injuries. A 5-minute warm-up transitions your hands from everyday life into guitar-playing mode — waking up the small muscles, increasing blood flow to the tendons, and calibrating your brain-to-finger connection. Skipping the warm-up is the single most common cause of preventable practice injuries in guitarists.

Every session in this course begins with a 5-minute Warm-Up and Stretch segment. This handout is the reference for what to do in those 5 minutes.

Total time: 5 minutes. Do this in order, every time you pick up the guitar.

Step 1 — Hand and Finger Stretches (1 minute 30 seconds)

Section titled “Step 1 — Hand and Finger Stretches (1 minute 30 seconds)”

Do these before touching the guitar. Your hands should be at room temperature — if they are cold, run them under warm water for 30 seconds or rub them together briskly.

Stretch 1: Fist and Spread (30 seconds)

  1. Make a tight fist with your fretting hand. Squeeze for 3 seconds.
  2. Open your hand and spread all fingers as wide as possible. Hold for 3 seconds.
  3. Repeat 5 times.
  4. Repeat with your picking hand.

Stretch 2: Individual Finger Pulls (30 seconds)

  1. With your palm facing you, use your other hand to gently pull each finger back toward the wrist.
  2. Hold each finger for 3-4 seconds. Go to the point of mild tension, not pain.
  3. Do all 4 fingers and the thumb on your fretting hand.

Stretch 3: Wrist Flexion and Extension (30 seconds)

  1. Extend your fretting arm in front of you, palm facing the floor.
  2. Use your other hand to gently pull your fingers downward (wrist flexion). Hold 10 seconds.
  3. Now flip your hand so the palm faces up and gently pull your fingers toward you (wrist extension). Hold 10 seconds.
  4. Rotate your wrist: 5 slow circles clockwise, 5 anticlockwise.
  5. Repeat with your picking hand.

Pick up your guitar. Before any exercises, check your tuning.

  1. Use a clip-on tuner or a phone tuner app.
  2. Play each string open: E-A-D-G-B-E (6th to 1st).
  3. Adjust any string that is not in tune.
  4. A well-maintained guitar that was tuned yesterday will need minimal adjustment. A new guitar or one exposed to temperature changes may need more.

Saga SF-600C-BK note: Steel strings hold tuning better than nylon after the initial stretching-in period (first 1-2 weeks of new strings). If your guitar constantly goes out of tune, check that the tuning pegs are tight and the strings are properly wound. See Guitar Guide for detailed tuning instructions.

Step 3 — Fretting Hand Activation (1 minute 30 seconds)

Section titled “Step 3 — Fretting Hand Activation (1 minute 30 seconds)”

Now that your hands are stretched and the guitar is in tune, wake up your fretting hand with a light chromatic exercise.

Chromatic Crawl — Frets 5-8

Strings: Start on the 6th string (low E) Frets: 5, 6, 7, 8 Fingers: 1 on fret 5, 2 on fret 6, 3 on fret 7, 4 on fret 8 Tempo: 60 BPM, one note per beat

e|-------------------------------5--6--7--8--|
B|-------------------------5--6--7--8--------|
G|-------------------5--6--7--8--------------|
D|-------------5--6--7--8-------------------|
A|-------5--6--7--8-------------------------|
E|--5--6--7--8-------------------------------|

Play ascending through all 6 strings (6th to 1st). Then descend:

e|--8--7--6--5-------------------------------|
B|-------8--7--6--5-------------------------|
G|-------------8--7--6--5-------------------|
D|-------------------8--7--6--5--------------|
A|-------------------------8--7--6--5--------|
E|-------------------------------8--7--6--5--|

Focus on:

  • Minimum pressure — only enough for a clean note
  • Arched fingers — no collapsed joints
  • Relaxed wrist — check your wrist angle
  • Each note should ring clearly with no buzz

This is not a speed exercise. It is a wake-up exercise. Stay at 60 BPM and focus on clean, relaxed movement. If you are in Phase 2 or later and your hands feel warm, you can increase to 72 BPM.

Phase 3+ variation: Once you are comfortable, start the chromatic crawl at fret 1 instead of fret 5. The wider fret spacing is a more demanding stretch and serves as both a warm-up and flexibility exercise.

Step 4 — Picking Hand Activation (1 minute)

Section titled “Step 4 — Picking Hand Activation (1 minute)”

Open-String Alternate Picking

Strings: All 6, open Tempo: 60 BPM, two picks per beat (eighth notes) Pattern: Strict alternate picking — down, up, down, up

e|--0-0-0-0-0-0-0-0--|
B|--0-0-0-0-0-0-0-0--|
G|--0-0-0-0-0-0-0-0--|
D|--0-0-0-0-0-0-0-0--|
A|--0-0-0-0-0-0-0-0--|
E|--0-0-0-0-0-0-0-0--|
   d u d u d u d u
  1. Start on the 6th string. Pick 8 notes (down-up-down-up-down-up-down-up) at 60 BPM.
  2. Move to the 5th string. Repeat.
  3. Continue through all strings to the 1st.
  4. Then reverse: 1st string back to 6th.

Focus on:

  • Relaxed wrist — the motion is small
  • Consistent volume on down and up strokes
  • Clean targeting — only the intended string sounds

Phase 2+ variation: After the single-string exercise, add string crossing: pick the 6th string (down), then the 5th (up), then the 4th (down), and so on across all strings. This warms up the hand for melodies and scale runs.

Play through 2-4 chords you know, slowly, to confirm your hands are ready. This changes as you progress:

Phase 1: Em — Am — Em — Am (one strum per chord, check that every note rings)

Phase 2: Em — Am — G — D — C — A (one strum per chord)

Phase 3: Em — Am — G — D — C — A — E — F (simplified) (one strum per chord)

Phase 4: Run through the chord cycle plus one power chord (E5 or G5) and one barre chord shape

If any chord sounds muted or buzzy, adjust your hand position before proceeding to the main practice. This quick check catches issues early — cold fingers, shifted hand position, tuning drift.

StepActivityTime
1Hand and finger stretches (fist/spread, finger pulls, wrist flex/extend)1 min 30 sec
2Tune the guitar30 sec
3Chromatic crawl — frets 5-8, ascending and descending, all strings1 min 30 sec
4Open-string alternate picking, all strings1 min
5Quick chord check — strum 2-4 chords for clarity30 sec
Total5 minutes

This warm-up grows with you:

  • Phase 1 (Sessions 1-6): Use the routine exactly as written. Start the chromatic crawl at fret 5. Use Em and Am for the chord check. If your fingertips are sore from the Saga’s steel strings, reduce the chromatic crawl to 3 strings instead of 6.
  • Phase 2 (Sessions 7-12): Start the chromatic crawl at fret 3. Add more chords to the chord check. Increase picking activation to 72 BPM.
  • Phase 3 (Sessions 13-18): Start the chromatic crawl at fret 1. Add the string-crossing variation to picking activation. Include power chords and the simplified F barre chord in the chord check. Consider adding 30 seconds of hammer-on/pull-off warm-ups (see Finger Exercises, Level 3).
  • Phase 4 (Sessions 19-24): The full routine becomes second nature. Increase chromatic crawl to 80 BPM. Add scale fragments (C major, Am pentatonic) after the chromatic crawl for a more musical warm-up.
  1. Skipping the warm-up entirely. It is tempting to jump straight into a song. Resist. Five minutes of warm-up prevents injuries and actually makes the rest of your practice more productive because your hands are ready.
  2. Stretching cold hands. Never stretch fingers that are ice-cold. Warm them first (warm water, rubbing, or just wait until they reach room temperature).
  3. Rushing through stretches. Each stretch should be held for the full count. Quick, bouncy stretches do not prepare the tendons and can cause micro-tears.
  4. Using the warm-up as speed practice. The chromatic crawl and picking activation are at 60 BPM for a reason. This is not the time to push for speed. Warm up gently, then push in the main practice.
  5. Forgetting to tune. Playing an out-of-tune guitar trains your ear to accept wrong pitches. Always tune before practising, even if you only have 10 minutes.
  6. Not adjusting for steel-string pain. During Phase 1, if your fingertips are raw, shorten the chromatic crawl to 3 strings and add more picking-hand work instead. Do not force sore fingertips through a full warm-up.

This entire routine IS injury prevention. But here are additional considerations:

  • Never skip the stretches when returning after a break. If you missed a few days of practice, your hands need the warm-up even more. Start with extra-gentle stretches and a slower tempo.
  • If any stretch causes sharp pain, skip it. A mild pulling sensation is correct. Sharp or stabbing pain means something is wrong — consult a medical professional if it persists.
  • Cold weather warning: If you are practising in a cold room (below 18C / 65F), spend extra time warming your hands before stretches. Cold tendons are brittle and injury-prone. Consider wearing fingerless gloves until your hands warm up, then remove them for playing.
  • Post-practice cool-down: After an intensive practice session (30+ minutes), repeat the stretches from Step 1. This helps prevent stiffness and promotes recovery.
  • The golden rule of guitar warm-ups: if you do not have time for a full practice session, you still have time for the warm-up. Even if you only play for 5 minutes, those 5 minutes are the warm-up. Never skip stretches and go straight into difficult material.
  • Tuner recommendation: A clip-on tuner (such as a Snark or Korg Pitchclip) attaches to the headstock of the Saga SF-600C-BK and detects pitch through vibration. It works well in noisy environments. Alternatively, a free phone app like Guitar Tuna is adequate for practice.
  • Metronome: Use a metronome or metronome app for the chromatic crawl and picking activation. A steady 60 BPM click keeps the warm-up honest and prevents rushing. Many free metronome apps are available for phones.
  • String feel during warm-up: If the steel strings feel rough or sticky on your fingertips during the chromatic crawl, wipe them with a dry cloth before starting. Accumulated oils and dirt increase friction and make slides uncomfortable.
  • Guitar stand or case: Keeping the Saga on a guitar stand (rather than in a case) makes it easier to pick up for a quick warm-up. The more accessible the guitar, the more likely you are to warm up — and practise.