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Musical Terms Glossary — Intermediate

100+ terms for quick lookup. Organised by category. Find any term in seconds. Includes all beginner terms (expanded where definitions deepen at intermediate level) plus new intermediate terms.


TermSymbolMeaning
PianissimoppVery soft
PianopSoft
Mezzo-pianompModerately soft
Mezzo-fortemfModerately loud — the most common everyday playing volume
FortefLoud
FortissimoffVery loud
Sforzandosfz, sfA sudden, strong accent on a single note or chord — louder than surrounding notes
Crescendo<Gradually get louder
Diminuendo / Decrescendo> or dim.Gradually get softer
Subitosub.Suddenly — used with dynamics: subito piano (sub. p) = suddenly soft
SempreAlways — sempre forte = always loud (maintain the dynamic)
Poco a pocoLittle by little — poco a poco crescendo = get louder gradually
MoltoVery, much — molto forte = very loud

TermSymbolBPM RangeMeaning
Grave25-45Very slow, solemn, heavy
Largo40-66Very slow and broad
Adagio66-76Slow, at ease
Andante76-108Walking pace
Moderato108-120Moderate speed
Allegro120-156Fast, lively
Vivace156-176Lively and fast
Presto168-200Very fast
Prestissimo200+As fast as possible

TermSymbolMeaning
Accelerandoaccel.Gradually speed up
Ritardandorit.Gradually slow down
Rallentandorall.Gradually slow down (nearly identical to ritardando)
Rubato“Stolen time” — flexible tempo where some beats are slightly longer or shorter for expression. The overall pulse remains.
A tempoReturn to the original tempo (used after a rit. or accel.)

TermMeaning
CantabileIn a singing style — make the melody flow like a voice
Con brioWith brilliance and spirit
Con motoWith motion — don’t drag the tempo
DolceSweetly, gently
Espressivo(espress.) With expression — play with feeling and nuance
GraziosoGracefully, elegantly
MaestosoMajestically, with grandeur
AnimatoAnimated, lively
TranquilloTranquil, calm, peaceful

TermSymbolMeaning
LegatoCurved line (slur)Play smoothly and connected — each note flows into the next
StaccatoDot above/below notePlay short and detached — lift finger quickly after pressing
TenutoShort horizontal line above/below noteHold the note for its full value; also can mean a slight emphasis
Accent> above/below notePlay the note louder/stronger than surrounding notes
Marcato^ above/below noteStrongly accented — even more emphasis than a regular accent
SlurCurved line over multiple notesPlay the notes smoothly as one phrase (not the same as a tie)
TieCurved line between same-pitch notesHold the note for the combined duration of both tied notes
Fermata𝄐Hold the note longer than written — performer decides how long

TermDefinition
AccidentalA sharp (#), flat (b), or natural sign that changes a note’s pitch outside the key signature. Lasts for the rest of that measure.
ArpeggioThe notes of a chord played one at a time in sequence, either ascending or descending.
Augmented triadA triad with a root, major 3rd, and augmented (raised) 5th. Sounds tense, unstable.
Bar / MeasureA section of music between two bar lines containing a fixed number of beats.
BeatThe basic unit of time in music.
ChordThree or more notes played simultaneously.
ChromaticMoving by half steps, using every key (black and white).
Circle of fifthsA diagram showing all 12 keys arranged by ascending 5ths (clockwise: C-G-D-A-E-B-F#/Gb-Db-Ab-Eb-Bb-F). Shows key signature relationships.
ClefA symbol at the start of the staff indicating which notes the lines and spaces represent (treble or bass).
Compound timeTime signatures where each beat divides naturally into 3 (e.g., 6/8 = 2 beats of 3 eighth notes).
CounterpointThe art of combining two or more independent melodic lines that sound good together. Bach was the master.
DiatonicNotes belonging to a particular key or scale. Opposite of chromatic.
Diminished triadA triad with a root, minor 3rd, and diminished (lowered) 5th. Sounds tense, wants to resolve.
DominantThe 5th degree of a scale, or the chord built on it. Strong pull back to the tonic (I).
Dominant 7thA major triad with an added minor 7th (e.g., G7 = G-B-D-F). The strongest “pull” chord in tonal music.
EnharmonicTwo names for the same pitch: F# and Gb, C# and Db — same key on the keyboard, different names.
Flat (b)Lowers a note by one half step.
Half stepThe smallest distance between two keys on the keyboard (e.g., E to F, C to C#).
Harmonic minorA natural minor scale with the 7th degree raised by a half step, creating a leading tone.
HarmonyTwo or more notes sounding together. Chords create harmony.
IntervalThe distance between two notes, named by counting letter names (C to E = a 3rd).
InversionA chord rearranged so a note other than the root is on the bottom.
Key signatureThe sharps or flats at the beginning of each staff line indicating the key.
Major 7thA major triad with an added major 7th (e.g., Cmaj7 = C-E-G-B). Warm, dreamy sound.
MelodyA sequence of single notes forming a recognisable tune.
Melodic minorA minor scale with raised 6th and 7th ascending, natural minor descending.
Minor 7thA minor triad with an added minor 7th (e.g., Am7 = A-C-E-G). Smooth, jazzy sound.
ModulationChanging from one key to another within a piece.
NaturalCancels a sharp or flat, returning a note to its unaltered pitch.
NoteA single musical sound with a specific pitch and duration.
Parallel major/minorMajor and minor keys sharing the same starting note (C major and C minor). Different key signatures.
Relative major/minorMajor and minor keys sharing the same key signature (C major and A minor). Different starting notes.
ScaleA series of notes in ascending or descending order, following a specific pattern of whole and half steps.
Secondary dominantA dominant 7th chord that temporarily “points to” a chord other than the tonic. E.g., D7 in the key of C points to G (V/V).
SequenceA melodic or harmonic pattern repeated at a different pitch level.
Sharp (#)Raises a note by one half step.
TonicThe first degree of a scale — the “home” note/chord that everything resolves to.
TranspositionMoving a piece or passage to a different key while keeping all the intervals the same.
Voice leadingThe way individual notes in chords move from one chord to the next. Smooth voice leading = small movements.
Whole stepTwo half steps (e.g., C to D, E to F#).

ModeStarting DegreeCharacterExample from C
Ionian1st (= major scale)Bright, happyC-D-E-F-G-A-B-C
Dorian2ndMinor with a brighter feel, jazzy/funkyD-E-F-G-A-B-C-D
Phrygian3rdDark, Spanish/flamenco flavourE-F-G-A-B-C-D-E
Lydian4thDreamy, floating, cinematicF-G-A-B-C-D-E-F
Mixolydian5thMajor but with a bluesy edge, rock/bluesG-A-B-C-D-E-F-G
Aeolian6th (= natural minor)Sad, melancholicA-B-C-D-E-F-G-A
Locrian7thUnstable, rarely used aloneB-C-D-E-F-G-A-B

TermDefinition
Binary (AB)A two-part form: Section A followed by Section B. Common in Baroque dances.
Ternary (ABA)A three-part form: Section A, contrasting Section B, then A returns. Very common in classical music.
AABAA 32-bar song form common in jazz standards and pop: 8 bars A, 8 bars A, 8 bars B (the “bridge”), 8 bars A.
Verse-chorusModern pop/rock form: alternating verses (changing lyrics) and choruses (repeated hook).
IntroOpening section before the main theme begins.
OutroClosing section that brings the piece to an end.
BridgeA contrasting section that connects other sections — provides variety before returning to familiar material.
CodaA concluding passage that brings a piece to its final end. Marked by the coda symbol.
InterludeA short passage between main sections, often instrumental.
VampA short repeated pattern (usually 1-2 bars) used as an introduction or transition. Common in jazz and pop.
TagA short ending added after the main form — often repeating the last phrase 2-3 times with a final resolution.
D.S. al Coda”From the sign to the coda” — go back to the segno sign, play until you see “To Coda,” then jump to the coda section.
D.C. al Fine”From the beginning to the end” — go back to the start and play until the “Fine” marking.
Sonata formA large-scale classical structure: Exposition (themes presented), Development (themes explored/transformed), Recapitulation (themes return).

TermDefinition
Blues scaleA 6-note scale: root, b3, 4, b5 (blue note), 5, b7. Example in C: C-Eb-F-Gb-G-Bb. The foundation of blues and rock.
ChartInformal term for any written-out music, especially in jazz/pop — “read the chart.”
Chorus (jazz)One complete pass through the song’s chord progression. “Take another chorus” = improvise over the form again.
CompingShort for “accompanying” — playing chords rhythmically behind a soloist or singer. Essential jazz/pop skill.
Fake bookA collection of lead sheets (melody + chord symbols only). Called “fake” because you “fake” the arrangement.
HeadThe main melody of a jazz tune. “Play the head” = play the written melody (as opposed to improvising).
Lead sheetA single-staff chart showing melody with chord symbols above. You create your own accompaniment.
LickA short melodic phrase used in improvisation — a musical “vocabulary word” you can insert into solos.
Nashville number systemA chord notation system using numbers instead of letters: 1=I, 2=ii, 3=iii, 4=IV, 5=V, 6=vi, 7=viio. Key-independent.
OstinatoA short musical pattern repeated persistently throughout a section or piece (e.g., the “Clocks” piano riff).
PentatonicA 5-note scale. Major pentatonic: 1-2-3-5-6. Minor pentatonic: 1-b3-4-5-b7. Sounds good over almost anything.
RiffA short, catchy, repeated musical phrase — often the hook of a song.
Shell voicingA jazz chord voicing using only root, 3rd, and 7th (omitting the 5th). Lean, clear sound for comping.
ShuffleA rhythmic feel where pairs of 8th notes are played with a long-short swing (like triplets: long-short, long-short).
SwingA rhythmic feel where 8th notes are played unevenly — the first longer, the second shorter. Foundation of jazz rhythm.
SyncopationEmphasising notes on normally weak beats or off-beats. Creates rhythmic tension and groove.
TurnaroundA short chord progression (usually 2 bars) at the end of a form that leads back to the beginning.
VoicingThe specific arrangement of notes in a chord — which octave, which notes doubled or omitted. Same chord, different voicings.
Walking bassA bass line that moves mostly by step, one note per beat, “walking” through the chord tones. Common in jazz.

TermPronunciationDefinition
Alankarah-lun-KAARMelodic exercises/patterns within a raga — the Indian equivalent of scales and arpeggios.
Arohaaa-ROH-haThe ascending pattern of notes in a raga. May skip notes or use zigzag patterns.
Avarohaah-vah-ROH-haThe descending pattern of notes in a raga. Often different from the aroha reversed.
Bandishbun-DISHA fixed composition in a raga, with lyrics set to a specific taal. The “head” of Indian classical music.
DadraDAAD-raaA 6-beat taal: Dha Dhi Na
DrutDROOTFast tempo in Indian music.
Gamakguh-MUKA heavy oscillation between two notes — an ornamental technique adding weight and intensity.
JhaptaalJHUP-taalA 10-beat taal: Dhi Na
Keherwakeh-HER-waaAn 8-beat taal: Dha Ge Na Ti
Madhya layaMUD-ya LIE-ahMedium tempo in Indian music.
MatraMAAT-raaA single beat in Indian rhythm — the smallest time unit in a taal.
MeendMEENDA glide/slide between two notes — on keyboard, achieved using the pitch bend wheel.
RagaRAA-gahA melodic framework defining which notes to use, their ascending/descending order, emphasis, and mood. More than a scale — includes rules for ornamentation and phrasing.
RupakROO-pukA 7-beat taal: Ti Ti Na
SamSUMThe first beat of a taal cycle — the most important beat where melodies resolve.
Sargamsur-GUMThe Indian note naming system: Sa Re Ga Ma Pa Dha Ni (equivalent to Do Re Mi Fa Sol La Ti).
TaalTAALA rhythmic cycle in Indian music — defines the number of beats and the pattern of accents.
TaanTAANA fast melodic passage in a raga, often improvised — shows virtuosity and mastery of the raga.
TablaTUB-laaA pair of hand drums — the primary rhythmic instrument in North Indian classical music.
Tanpuratun-POO-raaA drone instrument providing the continuous pitch reference (Sa and Pa) in Indian music.
TeentaalTEEN-taalThe most common taal: 16 beats divided into 4 groups of 4. Clap on beats 1, 5, 13; wave on beat 9.
ThaatTHAATA parent scale in Indian music theory — 10 thaats classify all ragas (similar to Western modes).
VadiVAA-deeThe most important note in a raga — the “king” note, emphasised and lingered upon.
Samvadisum-VAA-deeThe second most important note — the “minister” note, usually a 4th or 5th from the vadi.
Vilambitvi-LUM-bitSlow tempo in Indian music.

TermDefinition
Audio InA port on the CT-X9000IN that lets you play audio from a phone/tablet through the keyboard’s speakers.
DAWDigital Audio Workstation — software for recording, editing, and producing music (GarageBand, MuseScore, FL Studio).
LayerPlaying two tones simultaneously — e.g., piano + strings together on the CT-X9000IN.
MIDIMusical Instrument Digital Interface — a protocol that lets keyboards communicate with computers and other devices. Records note data (which key, how hard, how long), not audio.
Modulation wheelA wheel controller (usually left of the keys) that adds vibrato or other effects. On CT-X9000IN, used with pitch bend.
Pitch bendA wheel that smoothly raises or lowers the pitch — used for meend (glide) effects in Indian music.
PolyphonyThe number of notes a keyboard can sound simultaneously. CT-X9000IN has 64-note polyphony.
Registration memorySaves and recalls complete keyboard setups (tone, rhythm, tempo, effects) with one button press. CT-X9000IN has 32 registrations (4 banks of 8).
SplitDividing the keyboard so each half plays a different tone — e.g., bass in LH, piano in RH.
TransposeA keyboard function that shifts all notes up or down by a set number of semitones without changing fingering.

Musical Terms Glossary — Intermediate Course 100+ terms for instant reference