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Session 5: The E Major Chord

Duration: 50 minutes

You know two minor chords — Em and Am. Today you learn your first major chord: E major. Major chords sound bright and strong, compared to the dark, moody sound of minor chords. With Em, Am, and E in your toolkit, you have enough chords to play thousands of songs. You will also add upstrokes to your strumming, and learn a simplified version of the “N.I.B.” riff by Black Sabbath.

By the end of this session you will be able to:

  1. Play the E major chord cleanly with all six strings ringing
  2. Hear and describe the difference between Em (minor) and E (major)
  3. Strum using a D/U (down-up) pattern at 70 BPM
  4. Switch between Em, Am, and E major
  5. Play the “N.I.B.” simplified riff
  • Your Saga SF-600C-BK guitar
  • A guitar pick
  • A clip-on tuner or phone tuner app
  • A metronome
  • Reference: Understanding Chords

Segment 1 — Warm-Up and Stretch (5 minutes)

Section titled “Segment 1 — Warm-Up and Stretch (5 minutes)”
  1. Finger spread — 3 times, hold 5 seconds each.
  2. Wrist circles — 5 each direction per wrist.
  3. Finger touch — 5 times per hand.

Tune all six strings (EADGBE).

Play “Come As You Are” riff (Session 4) at 60 BPM for 4 measures. Then play Em → Am → Em → Am at 65 BPM, 2 measures each chord. This warms up both your picking and strumming skills.


Segment 2 — Technique Focus: Upstroke Strumming and D/U Patterns (10 minutes)

Section titled “Segment 2 — Technique Focus: Upstroke Strumming and D/U Patterns (10 minutes)”

Until now, you have strummed with downstrokes only. An upstroke (U) is the reverse — your pick sweeps upward from string 1 (thinnest) toward string 6 (thickest).

Key differences from downstrokes:

  • An upstroke naturally hits fewer strings — typically strings 1, 2, 3, and sometimes 4. You do not need to reach all 6 strings on an upstroke. This is normal and actually sounds good.
  • The upstroke is lighter and thinner-sounding than the downstroke. This creates a pleasing contrast.
  • Your wrist motion should flow naturally: down → up → down → up, like a pendulum.

The most basic strumming pattern in guitar is alternating downstrokes and upstrokes:

Strum: D U D U D U D U
Count: 1 & 2 & 3 & 4 &

Each downstroke falls on the beat (1, 2, 3, 4). Each upstroke falls on the “and” (&). This gives you 8 strums per measure — one per eighth note.

Play Em with the D/U pattern at 60 BPM:

Strum: D U D U D U D U | D U D U D U D U
Count: 1 & 2 & 3 & 4 & | 1 & 2 & 3 & 4 &
Chord: Em Em

What to focus on:

  • Keep the wrist swinging evenly — do not pause between D and U
  • Downstrokes should be slightly louder than upstrokes (this happens naturally)
  • Count aloud: “one-and-two-and-three-and-four-and”

Practice this for 4 measures on Em, then 4 measures on Am.


Segment 3 — New Learning: E Major Chord (15 minutes)

Section titled “Segment 3 — New Learning: E Major Chord (15 minutes)”

E major uses three fingers, like Am, but produces a bright, powerful, full sound. All six strings are played.

Chord Diagram:

E
OOO
1
2
3
EADGBe

Step-by-step:

  1. Place your index finger (1) on string 3 (G string), fret 1.
  2. Place your middle finger (2) on string 5 (A string), fret 2.
  3. Place your ring finger (3) on string 4 (D string), fret 2.
  4. Strum all six strings.

Sound check: Pluck each string:

  • String 6 (E): Open — clear
  • String 5 (A): Fret 2 — clear (finger 2)
  • String 4 (D): Fret 2 — clear (finger 3)
  • String 3 (G): Fret 1 — clear (finger 1)
  • String 2 (B): Open — clear
  • String 1 (E): Open — clear

Strum Em once. Let it ring for 3 seconds. Now strum E major once. Let it ring for 3 seconds. Do this 5 times back and forth.

  • Em sounds dark, sad, introspective
  • E major sounds bright, confident, resolved

This is the difference between major and minor. Same root note (E), completely different mood. The only physical difference: E major adds finger 1 on string 3 fret 1. That one note changes everything.

You now know three chords: Em, Am, and E. Practise transitioning between all pairs:

Em → E: This is easy — E major is Em plus finger 1 on string 3 fret 1. To go from Em to E, just add your index finger. Fingers 2 and 3 stay exactly where they are.

E → Em: Lift your index finger off string 3 fret 1. Fingers 2 and 3 do not move.

Em → Am: (Review from Session 3) Slide fingers 2 and 3 one string each, add finger 1 on string 2 fret 1.

Am → E: Finger 2 slides from string 4 to string 5 (same fret 2). Finger 3 stays on fret 2, moves from string 3 to string 4. Finger 1 moves from string 2 fret 1 to string 3 fret 1.

Drill: Cycle through Em → Am → E → Em → Am → E at a slow, steady pace. One strum per chord. No metronome — focus on clean placement. Do 10 complete cycles.

Metronome drill: Set to 50 BPM. One chord per beat: Em (beat 1), Am (beat 2), E (beat 3), rest (beat 4). Repeat for 8 measures. This is fast — if you cannot keep up, try one chord per two beats (one chord per measure at 50 BPM in 4/4).


Segment 4 — Song Workshop: “N.I.B.” — Black Sabbath (15 minutes)

Section titled “Segment 4 — Song Workshop: “N.I.B.” — Black Sabbath (15 minutes)”

Song: “N.I.B.” Artist: Black Sabbath Album: Black Sabbath (1970) What you are learning: A simplified version of the main chord riff that drives the verse. This riff uses Em and E major with a heavy, driving strumming pattern — exactly the two chords whose relationship you just explored.

Tempo: 65 BPM (the original is approximately 130 BPM — you are playing at half speed) Strumming pattern: D D U U D U (per measure)

Before applying it to the song, learn the pattern on Em alone:

Strum: D D U U D U
Count: 1 2 & 3 4 &

How it works:

  • Beat 1: Downstroke
  • Beat 2: Downstroke
  • “And” of 2: Upstroke
  • Beat 3: Upstroke (this one falls on a beat but is an upstroke — it gives the pattern a shuffling feel)
  • Beat 4: Downstroke
  • “And” of 4: Upstroke

Practice this pattern on Em at 60 BPM until it feels natural. Count aloud: “ONE, TWO-and, THREE, FOUR-and.”

Complete Transcription — “N.I.B.” Simplified Riff

Section titled “Complete Transcription — “N.I.B.” Simplified Riff”

Structure: 2 measures Em, 2 measures E major, repeat

Section: Verse Riff (repeats throughout)

Strum: D D U U D U | D D U U D U
Count: 1 2 & 3 4 & | 1 2 & 3 4 &
Chord: Em Em
 
Strum: D D U U D U | D D U U D U
Count: 1 2 & 3 4 & | 1 2 & 3 4 &
Chord: E E

TAB:

Measures 1-2 (Em):
e|---0-------0---0---0---0---|---0-------0---0---0---0---| B|---0-------0---0---0---0---|---0-------0---0---0---0---| G|---0-------0---0---0---0---|---0-------0---0---0---0---| D|---2-------2---2---2---2---|---2-------2---2---2---2---| A|---2-------2---2---2---2---|---2-------2---2---2---2---| E|---0-------0---0---0---0---|---0-------0---0---0---0---| D D U U D U D D U U D U
Measures 3-4 (E major):
e|---0-------0---0---0---0---|---0-------0---0---0---0---| B|---0-------0---0---0---0---|---0-------0---0---0---0---| G|---1-------1---1---1---1---|---1-------1---1---1---1---| D|---2-------2---2---2---2---|---2-------2---2---2---2---| A|---2-------2---2---2---2---|---2-------2---2---2---2---| E|---0-------0---0---0---0---|---0-------0---0---0---0---| D D U U D U D D U U D U

Repeat: Play measures 1–4, then repeat from the beginning. The riff loops continuously.

Step 1: Play the strumming pattern (D D U U D U) on Em only, at 55 BPM. 4 measures.

Step 2: Play the pattern on E major only, at 55 BPM. 4 measures.

Step 3: Alternate — 2 measures Em, 2 measures E. The transition from Em to E is adding finger 1. The transition from E to Em is lifting finger 1. This is the easiest chord change you will ever make.

Step 4: Gradually increase tempo — 55, 60, 65 BPM.

What it should sound like: Heavy, rhythmic, and powerful. The Em sections are dark and brooding. When E major arrives, it brightens suddenly — like stepping from shadow into light. This contrast is what makes the riff compelling.

Performance tip: Hit the downstrokes harder than the upstrokes to give the riff a driving, aggressive feel. This is a rock riff — it should not sound delicate.

Steel-string break: After playing through the riff 4 times, put the guitar down for 30 seconds. Shake out your hands. Your fretting hand has been holding chord shapes for several minutes — give it a brief rest.


Segment 5 — Review and Practice Plan (5 minutes)

Section titled “Segment 5 — Review and Practice Plan (5 minutes)”
  • The E major chord (finger 1 string 3 fret 1, finger 2 string 5 fret 2, finger 3 string 4 fret 2)
  • The difference between major (bright) and minor (dark) chords
  • Upstroke strumming and the basic D/U eighth-note pattern
  • The D D U U D U strumming pattern
  • Em ↔ E major transition (add/remove finger 1)
  • “N.I.B.” simplified verse riff by Black Sabbath
  1. Missing string 3 fret 1 in E major — Finger 1 is the only difference between Em and E. Make sure it presses cleanly without touching strings 2 or 4.
  2. Upstrokes too loud or too harsh — Upstrokes should be lighter than downstrokes. Let the pick glide through the top 3–4 strings only.
  3. Losing the strumming pattern — D D U U D U is tricky at first. If you lose it, stop, reset, and start again from beat 1. Saying the pattern aloud helps: “down, down-up, up, down-up.”
  4. Rushing the Em → E change — Even though it is just one finger, take time to place it accurately. A buzzing E major sounds worse than a slightly late clean one.
  5. Not resting the strumming hand — Your strumming wrist may tire from the D/U pattern. If it aches, pause and let your arm hang by your side for 15 seconds.
  1. Can you play E major with all six strings ringing clearly?
  2. Can you switch between Em and E major without looking at your fretting hand?
  3. Can you play the D D U U D U pattern steadily for 4 measures without losing the sequence?
  4. Can you hear the difference between Em and E major when you strum them back to back?
  5. Can you play the “N.I.B.” riff for 8 measures at 60 BPM?
BlockTimeActivity
Warm-Up3 minFinger stretches + tune your guitar
Chord Review3 minEm (4 strums D/U), Am (4 strums D/U), E (4 strums D/U), cycle 3 times
Transition Drill4 minEm → Am → E → Em, one chord per beat at 50 BPM. 10 cycles
N.I.B. Riff8 minPractise the riff at your comfortable tempo. Work toward 65 BPM. Focus on the strumming pattern
Come As You Are4 minMaintenance: play the riff from Session 4 at 60–70 BPM. Keep your picking skills sharp

Steel-string note: You are now in your second week. Your fingertips should be developing visible calluses — slightly hardened, less red, less tender. If you have been practicing daily, the worst of the pain is behind you. If you skipped days, you may still be sore — that is okay, just get back on the daily schedule.

Your Saga’s dreadnought body produces a naturally loud, full sound. When playing the “N.I.B.” riff with the D D U U D U pattern, the dreadnought projection means you do not need to strum hard to fill a room. Focus on control and even strums rather than force. The guitar does the heavy lifting on volume.