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Fretboard Note Map

This sheet names the note at every place on all six strings, from the open string to fret 12, in tables. It is for looking up, and it is what you check your note-name cards against. Every table of notes has the columns Note, String and Fret.

The course asks you to know by heart the fourteen natural notes on strings 6 and 5 up to fret 10: Session 17 teaches them, and they have cards. Session 21 names the places of the fifth position. Every other row is for looking up.

The course plays no higher than fret 9 for power chords and fret 8 for scales. Frets 10 to 12 are on the map so that it is whole: nothing in the course is played there.

One fret is one half step. Each in-between note has two names, a sharp name and a flat name. The map prints the sharp name in the Note column, with the flat name under “Also called”. E and F are one fret apart, and so are B and C. Every other pair of neighbouring letters is two frets apart.

On string 6 the natural notes are E (open), F (fret 1), G (fret 3), A (fret 5), B (fret 7), C (fret 8) and D (fret 10). On string 5 they are A (open), B (fret 2), C (fret 3), D (fret 5), E (fret 7), F (fret 8) and G (fret 10). A sharp note is one fret above its letter; one fret above B is C and one fret above E is F, so no fret lies between those two pairs.

Your Saga SF-600C-BK has dot markers at frets 3, 5, 7 and 9, and a double dot at fret 12. Fret 12 has the letter of the open string.

The map has 78 places: six strings, thirteen frets each (0 to 12). There is one table for each string, from string 6 to string 1.

String 6 (low E)

NoteStringFretAlso called
E6 (low E)0 (open)
F6 (low E)1
F#6 (low E)2Gb
G6 (low E)3
G#6 (low E)4Ab
A6 (low E)5
A#6 (low E)6Bb
B6 (low E)7
C6 (low E)8
C#6 (low E)9Db
D6 (low E)10
D#6 (low E)11Eb
E6 (low E)12

String 5 (A)

NoteStringFretAlso called
A5 (A)0 (open)
A#5 (A)1Bb
B5 (A)2
C5 (A)3
C#5 (A)4Db
D5 (A)5
D#5 (A)6Eb
E5 (A)7
F5 (A)8
F#5 (A)9Gb
G5 (A)10
G#5 (A)11Ab
A5 (A)12

String 4 (D)

NoteStringFretAlso called
D4 (D)0 (open)
D#4 (D)1Eb
E4 (D)2
F4 (D)3
F#4 (D)4Gb
G4 (D)5
G#4 (D)6Ab
A4 (D)7
A#4 (D)8Bb
B4 (D)9
C4 (D)10
C#4 (D)11Db
D4 (D)12

String 3 (G)

NoteStringFretAlso called
G3 (G)0 (open)
G#3 (G)1Ab
A3 (G)2
A#3 (G)3Bb
B3 (G)4
C3 (G)5
C#3 (G)6Db
D3 (G)7
D#3 (G)8Eb
E3 (G)9
F3 (G)10
F#3 (G)11Gb
G3 (G)12

String 2 (B)

NoteStringFretAlso called
B2 (B)0 (open)
C2 (B)1
C#2 (B)2Db
D2 (B)3
D#2 (B)4Eb
E2 (B)5
F2 (B)6
F#2 (B)7Gb
G2 (B)8
G#2 (B)9Ab
A2 (B)10
A#2 (B)11Bb
B2 (B)12

String 1 (high e)

NoteStringFretAlso called
E1 (high e)0 (open)
F1 (high e)1
F#1 (high e)2Gb
G1 (high e)3
G#1 (high e)4Ab
A1 (high e)5
A#1 (high e)6Bb
B1 (high e)7
C1 (high e)8
C#1 (high e)9Db
D1 (high e)10
D#1 (high e)11Eb
E1 (high e)12

Of the 78 places, 48 are natural notes and 30 are in-between notes: eight natural and five in-between on every string.

These are the fourteen natural notes on strings 6 and 5 up to fret 10, from Session 17. There is one note-name card for each of the fourteen rows.

NoteStringFret
E6 (low E)0 (open)
F6 (low E)1
G6 (low E)3
A6 (low E)5
B6 (low E)7
C6 (low E)8
D6 (low E)10
A5 (A)0 (open)
B5 (A)2
C5 (A)3
D5 (A)5
E5 (A)7
F5 (A)8
G5 (A)10

A note-name card has the string and the fret on the front and nothing on the back: the answer is the note, and you check it against the table of the fourteen places.

These are the eight frets in between on those two strings, up to fret 10. Each is named as a sharp, with its flat name under “Also called” and where it is.

NoteStringFretAlso calledWhere it is
F#6 (low E)2Gbone fret above F (fret 1)
G#6 (low E)4Abone fret above G (fret 3)
A#6 (low E)6Bbone fret above A (fret 5)
C#6 (low E)9Dbone fret above C (fret 8)
A#5 (A)1Bbone fret above A (the open string)
C#5 (A)4Dbone fret above C (fret 3)
D#5 (A)6Ebone fret above D (fret 5)
F#5 (A)9Gbone fret above F (fret 8)

F sharp on string 6 at fret 2 and C sharp on string 5 at fret 4 are the roots of two of the nine power-chord cards of Session 17, F#5 (string 6) and C#5 (string 5). Three of the eight are the roots of Ab5, Bb5 and Db5 under their flat names.

C#5 (string 5) and Db5 are the same three frets: C sharp and D flat are two names for one note.

The table of power chords by root is in Chord Chart, under “Power chords by root”.

  • Position — A place on the neck for the fretting hand in which each finger has its own fret, four frets in a row. It is named by the fret that finger 1 plays. (Session 21)
PositionFinger 1 (index)Finger 2 (middle)Finger 3 (ring)Finger 4 (little finger)Taught inUsed for
first position (open position from Session 7)fret 1fret 2fret 3fret 4Session 7every open-position scale and both arpeggios
fifth positionfret 5fret 6fret 7fret 8Session 21A minor pentatonic and the A blues scale at fret 5

The course uses no other position.

  • First position — Where the fretting hand is in open position: finger 1 plays fret 1, finger 2 fret 2, finger 3 fret 3 and finger 4 (little finger) fret 4. (Session 7)

  • Fifth position — The position in which finger 1 plays fret 5, finger 2 fret 6, finger 3 fret 7 and finger 4 (little finger) fret 8. (Session 21)

Every place under the four fingers in fifth position: 24 places. The two places of the blues scale’s extra note are printed Eb, with D# under “Also called”.

NoteStringFretAlso calledFingerIn which scale of the course
A6 (low E)51 (index)A minor pentatonic
A#6 (low E)6Bb2 (middle)
B6 (low E)73 (ring)
C6 (low E)84 (little finger)A minor pentatonic
D5 (A)51 (index)A minor pentatonic
Eb5 (A)6D#2 (middle)the blues scale’s extra note
E5 (A)73 (ring)A minor pentatonic
F5 (A)84 (little finger)
G4 (D)51 (index)A minor pentatonic
G#4 (D)6Ab2 (middle)
A4 (D)73 (ring)A minor pentatonic
A#4 (D)8Bb4 (little finger)
C3 (G)51 (index)A minor pentatonic
C#3 (G)6Db2 (middle)
D3 (G)73 (ring)A minor pentatonic
Eb3 (G)8D#4 (little finger)the blues scale’s extra note
E2 (B)51 (index)A minor pentatonic
F2 (B)62 (middle)
F#2 (B)7Gb3 (ring)
G2 (B)84 (little finger)A minor pentatonic
A1 (high e)51 (index)A minor pentatonic
A#1 (high e)6Bb2 (middle)
B1 (high e)73 (ring)
C1 (high e)84 (little finger)A minor pentatonic

String 2 at fret 7 is an in-between note (F sharp, also called G flat), and B, on strings 6 and 1 at fret 7, is not in the A minor pentatonic.

The A minor pentatonic and the A blues scale in fifth position go up to A on string 1 at fret 5: C on string 1 at fret 8 is a note of both scales that their blocks do not play.